Max, if the rest of
the band is in agreement, can we make this an ongoing kind of
"regular" gig? I think South Hadley needs us, and I
think we need them.
KEN:
lot of pop music, lot of driving, lot of wet snow falling, lot
of friends.
our show at the thirsty
mind seemed like the first time the band had been together in
a room in AGES (just over one month since the last full-band show?).
i thought i was getting to south hadley embarrassingly late (7:45
for a scheduled 8 p.m. show), but i walked into the thirsty mind
with a backpack and amplifier and saw a coffeshop full of studiers
and chatters. no equipment at all, no sign of other band members,
no space cleared for Rock Music.
"is there a band
playing tonight?" i asked the woman behind the counter.
"yes!" she
said, not seeming very concerned.
max and anya showed
up very soon after that, followed by henning, and as i went down
to grab some "gear" brian and andrea were unloading
their vehicle, and then tony crawled by in his just-arriving car,
scouting for a good parking space. loud guys were standing on
the muddy slushy sidewalk debating about where to go get a bite
to eat in town. a gaggle of police officers stood chatting jovially
nearby.
we set up on the corner
window stage, friends arrived, and a LOT of nice people i didn't
know sat at tables near the band! it was so great and supportive!...i've
been to "in-store" ("in-cafe"?) shows before
where people sit as far away from the band as possible, but these
folks seemed to care, or at least were willing to give us a shot.
after some hestitant glances and admission of embarrassment by
our (not so!) fearless leader, the activity pages got passed around
to the audience, and i know we're all happy that happened -- there
were art majors there in full force or something, we found out
later when the pages were collected, wowieee.
i bought an oatmeal-chocolate-chip
cookie and apparently other folks adopted it, since i left it
sad and alone at a table when it came time to play and saw only
crumbs on a plate at the end of the night. took my "desperately
seeking C" with me, put a thirsty mind lamp next to me on
max's bass cab, which made me feel like i was in the scud mountain
boys. we didn't have a pre-made set list, but henning had tony's
"the-songs-we-play master list" spread out by his feet.
we played fairly well.
sloppy too, but there were moments when the spirit overcame the
stiff musical joints. i loved playing "thug," "photobooth
curtain," anything with some velocity behind it. i didn't
have a microphone so i felt a little out of it, trying to sing
my parts loud enough to be heard. brian threw some choice tasters
and clever stuff in there (sneakily working the "nigel"
beat into "thug"), max hopped around, tony laid on the
floor in the crowd during "rock and roll camper" and
sat on a chair facing his amplifier for the noisy end of "omnivore."
i hardly looked up during the show, but i wish i had. it's more
fun that way. hopefully next time.
sal acted like one
of "barker's beauties" and showed off our CD to the
audience, marching it around the room. lauri made thoughtful,
excellent suggestions for future activity pages. rick GdV had
very cool eyeglasses. (i've been humming "downtown ladies"
a lot lately, rick! i forgot to tell you.) at times there were
huge surges of population in the room...i noticed a lot of people
that wondered in decided to stay and stand by the counter, watching
the majority of the show, which felt great!, though the audience
thinned by the last few songs.
the crowd was positive
but i think we were all a little shy being there. i wish henning
had answered the crowdmember's question and given an explanation
of the band name. ANY explanation! the resulting silence was awkward...the
show for me was a little awkward overall. not bad, i was just
sort of disconnected. maybe we all were. or at least on the rusty
side. even so the show seemed over too soon. but the thirsty mind
was a nice place to play. if we go back someday when the weather's
more enticing and we have another couple of microphones, it'll
be even better!
BRIAN: It felt like forever since we'd played
together. Tony and Andrea and I met Ning over at Ning's house.
Poor Ning and Lesa had been moving and rearranging their apartment
all day and they were all sore and tired. We helped move equipment
down the stairs to the cars. Tony lent me the George Harrison
"Brainwashed" CD and I listened to it on the drive over
with Andrea. The first half is excellent. Haven't gotten to the
second half.
Once there I was alarmed
by the full parking lot, the cops, the humanity. The manatees.
I got a complimentary coffee and proceeded to get more hyper as
the gig went on, as opposed to the usual beery gig where you get
tired. It was high energy. I was loving just being there and playing
drums. Having spent 10 hours a day for 7 days playing drums in
N. Adams set a new standard. Since then, I hadn't hardly played
at all and I was a-itchin'. Ning even caught me smiling as I was
putting together the kit.
I think everything
except Candy Cane sounded good. Candy Cane felt like suddenly
everyone started thinking about something else. Maybe it was just
me. More coffee!!
Young Sal was a great
fan club representative and roadie. He helped me take the cymbals
down, collapse my cymbal stands and set down the bass drums. I
asked him about his band "The Puzzle Pieces" (who recently
played their first gig) I complimented him about the name and
he said (classic quote) "I've had that name in my head since
the day I was born". Are you listening, "Behind the
Music"?
From S. Hadley, Ken
and I drove straight to Greenfield o the People's Pint, where
we partook in another live performance of King Radio's "Are
You the Sick Passenger". I did my customary tambourine. Ken
did his customary keyboards and stuff. Opening for King Radio
was Tony Goddess (former Papas Fritas) and Ray Neades (Miss Reed)
who now perform together as The Prettiest Girls.
After the show I spoke
at length with Geoge Lenker and his friend (names!! I know not
names!!) who knows Hal Blaine.
TONY:
MAX: