Brian
says: Every band loves to feel like they have a niche.
Then you know, if you're playing out of town, what kind of audience
you should target in your promotional efforts IN SFTD, we started
really, really, really small--satisfied with living rooms, We
thought maybe the folky crowd would like us? But, oh--punks such
as Tony and I can't resist the occasional noisy moment. We enjoy
alienating folkies.
But the pop
scene......aahhh....fits like a glove. Feels like a hot tub.
Pop. Like XTC said in 1978, "This Is Pop". Pop is short
for popular, but none of these bands are popular. Much like most
"fans' of things are not literal fanatics. I am fanatical
about popular music. False.
I am a pop fan. True.
Just look
at Ning and mine fave songs. Hooks, harmonies, big choruses, and
not at all offensive or dangerous. It's a nice place to inhabit.
It's a niche, and On November 23, 2003, after 2 years 50-something
School for the dead gigs we staked our claim in the national pop
scene.
Let's run with it and do the Chicago or Hollywood one next year.
I once saw a picture of Micky Dolenz at the Hollywood one, sitting
at the bar reading a book. Like "yeah, you all idolize me,
but hey-can't I get some reading done?" Maybe he was just
reading the program. Give him a break.
And there's my IPO gig diary. The rest I don't have much to say
about.
Henning
says: "Pop pop pop pop pop pop pop." What's
that sound?
The International
Pop Overthrow was delightful. Brian, Tony, and I arrived in good
time and found a parking spot directly in front of the door to
T.T.s. It was our own private portable green room. The Bear was
pretty crowded when we came in from the cold. And what? Hey, yeah!!
It's smoke free now!! (One of the last times I was there was for
the Of Montreal show which was so horrible smoky, I couldn't stand
it.) I always thought of T.T.'s as cold, uncomfortable, loud,
and smoke.
Well, they've
changed. It been redecorated and cleaned up. The back room was
warm and comfortable instead of the old graffiti covered cold
shed feeling that it used to have. It was still loud though. In
fact, they removed the drop ceiling in the performance area so
there is even more echo. Sheesh.
The room was
full of pop music fans, which was great. We met the folks in
charge and they were incredibly accommodating. Andrea Kremer introduced
herself and asked us a few times if there was anything we needed.
David Bash was very nice and easy to talk to and he seemed to
be beaming in the room of pop music. I don't remember the name
of the woman working the merchandise table but she also was exceptionally
nice. All the pleasantness was a far cry from many past Cambridge
experiences I had had as a musician.
We were one
of many bands, each playing a twenty minute set. The other bands
were a lot harder and more rocking than I had expected. They were
power pop, but there was a lot of rock thrown in there as well.
Hard hitting drummers, lots of guitar leads. But also lots of
pretty harmonies and catchy hooks.
I was in the
back room opening the guitar cases to let the instruments warm
up when Max came in and told me that my family was there. This
was a surprise to me, I certainly didn't expect to see them at
10:30 on a Sunday night. But there were my parents, both my brothers
and an old friend of theirs named Ned.
My mom had brought a little baggy of ear plugs which was great
because I had forgotten mine (which is pretty rare.)
Eventually
it was our turn to take the stage. We had put a lot of thought
into our six song set. Which songs to leave off, which songs to
leave off. It was tough. Eventually, this is how we did it: Back
To School, One Lady Dancing, Something's Taking Over, Thug, and
Omnivore. It was tough to hear up there and I knew we were too
loud but there was little we could do about it at that point.
It was ok,
though. People were smiling and singing along and by the end of
our set, everyone in the room was watching and listening, even
the people over by the bar. Yee.
After our
set a bunch of people bought our stuff from the merchandise table.
It was non-paying gig so it was nice to make up some gas money
that way. We are now down to only two robot shirts. They are the
last of a breed and we're not making more of that design, so I
might even just hold onto them myself. I don't know. Anyway, look
for new shirts soon.
Tony and I
stuck around for Fooled By April, who I had shared a stage with
before, I believe, I think at T.T.s. Ray Needs was there and we
talked a bit
to him. On the ride home we stopped at the Mass Pike dream factory
and I got some French Fires. Tour.
Max
Says: Boston Rocks! Or so they tell me. I've had very
few good gigs in Boston, and I've found that mostly to be because
Boston does indeed rock. We twee pop bands from out in Western
Mass. always seem to get drowned out, ignored, thought of as 'inbred
second cousin' to the loud and muscular Boston bands. Our show
at TT the Bears saw us on the bill with other like-minded pop
bands, though I think our set was more unique than the others,
if just as loud. Loud loud loud loud, can't you turn us down?
The soundman, already tired and cranky from a week's worth of
white boy pop bands opted to turn everything up three notches,
so that by the time Omnivore kicked in we were, in the words of
one observer who knows us well, "painful". That being
said, I think it was one of our better shows and I love the occasional
all-out set of faster songs. We came in with a chip on our shoulder
and we came away no longer twee. We twocked.
Tony
Says: I had Hannah to myself all that day and didn't
end up eating much dinner, yet I thoughtlessly downed an entire
can of Coke (something I never do) during and after dinner until
Thea the babysitter arrived. Couple that with a quease-making
backseat trip down the wavy highways of 91 and 90 in Henny's bouncy
car and by Worcester, I was nauseous. Luckily, I had Henning,
king of sour stomach-itis there to counsel me on remedies. So
I ingested pita bread, dry turkey and water courtesy of Rest Stop
Heaven and it soaked up the sugar and phosphoric acid swimming
in me quease-belly so that by Framingham, I was a new man.
Been to TT's
plenty in my day and this was the best experience ever. The smoke-free
atmosphere was delightful. One breathes easier, sees more clearer,
doesn't have to escape every half-hour to recover and I swear
singers sing better and people are friendlier and happier to be
in a bar. Of course the IPO festival people were friendly just
in general and were eager to hear our set. Afterwards, they fervently
lauded us and Henning's pile of CDs and T-shorts were depleted
in exchange for an envelope of cash.
Our set was
brief, tuneful and screamingly loud. But that was in keeping with
the festival. We saw six other bands and they all resembled each
other greatly in compositions, sound and style. That sound was
the heavy rock side of power-pop, much like The Waking Hours,
who you probably don't know, or Cheap Trick circa Budokan, who
you probably are familiar with. And I imagine that's just the
kind of thing an IPO audience would expect, look forward to and
savor. (Indeed, The Waking Hours are the knights of IPO L.A.)
The volume and lack of dynamics wore on us fogeys from Western
Mass. but it was a good sampler of bands if that's your thing.
I still love my Big Star and The Raspberries or even Cheap Trick
but I'm more inclined to thrown on Paul Simon or The Lovin' Spoonful
for my melodic pop rock fix these days.
Thanks again
to the festival folks. Such a nice bunch, and they genuinely liked
us, makin' me hanker to return.
Most of what
I remember about last night's dream involved scenes that took
place in the UMass campus center and an icy parking lot ouside
a grocery store but a fuzzy episode involved SFTD riding in superstar
KEN MAIURI's limo, which had a luxurious backseat outfitted with
two keyboards on the two walls, in case Ken and a pal wanted to
jam! Will Ken become Elton John all of a sudden? Speaking of K.M.,
he'll be joining us at The Iron Horse next week AND is taking
part in the Sitting Next TO Brian/ Bourgeois Heroes/ Parents extravaganza
the following week. As Sam Cooke once sang, "Ain't that good
news? Man, ain't that good news?"
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Back To School
One Lady Dancing
Something's Taking Over
Thug
Photobooth Curtain
Omnivore
Activity
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