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Customer Reviews

And the artwork is fab, too., October 30, 2004
Reviewer: Elise Nacca (New Haven, CT)

Turning twenty-four was a sad day for me. Everything I ever loved and thought I would become scurried into the murky grey unreachable crevices of the past. It became a matter of fact that stretches of carefree, breezy New England summer days were lost in the flotsam of industry and responsibility. The slow and dreadful knocking at the crumbling door of my own mortality rang through my ears. Then I listened to School for the Dead's "The New You" and felt much better. Once you listen to this album Henning Ohlenbusch's friendly voice will punctuate your inner monologues forever. Some of the songs will make you happy in the way that simple things like camping and photo-booths do. And then some of the songs will make you quite sad because you remember the way something once was, but never will be again.

Not to sound hokey or anything, but there's something uniting everyone on this big old messed up planet...maybe it's just how we all feel the fragility of human existence. Whatever it is, some people feel it more than others. So, here it is, with mind-bogglingly clever arrangements and a collection of such supremely talented musicians, you'll start to wonder why you haven't heard of them before.
Someday someone should write a movie around these songs.

I forgot to celebrate you!, October 30, 2004
Reviewer: Jason S. Mazzotta (Austin, TX)


"The New You" is a thirteen track disc from the Northampton, MA group School For the Dead. Whilst most bands claim to have a member that serves as a secret weapon to create dynamics or enhance their sound, SFTD leader Henning Ohlenbusch has four secret weapons to accompany his well crafted, melodic pop tunes. Shall I explain?

Brian Marchese is the drummer extraordinaire. He has a 1960's bounce to his beat and isn't afraid to bust into a huge thundering roll when an explosion is needed (see the climax in "Candy Cane"). Anthony Westcott plays the lead guitar and adds the extra hook at all the appropriate times. His guitar lines are so interesting that they could stand up as excellent melodies on their own (ex: "Something's Taking Over", "Rock and Roll Camper" & "Goodnight"). Plus there's the famous Max Germer. His bass lines are tasteful and rhythmically intriguing. Ken Maiuri plays the keyboards and throws in some extra flair, droney ethereal tones and brilliant runs.

Like I said, that Henning guy writes the songs. The songs that appear on "The New You" are fantastic. His other ones are, too, but you'll just have to wait for the next release! After you pop in this disc the first time, you'll ask yourself "why haven't I heard this band before?" After you settle down a bit, you'll think about how the lyrics are smarter than your seventh grade math teacher, the melodies are sweeter than cupcakes and the textures to all the songs are perfect. I mean it. This a perfect record. Would you like to hear more?

The album balances fast indie-pop songs with reflective acoustic numbers with subjects embodying love, lost love, the outdoors (notice two song titles dealing with camping), etc. Also, there's the occasional, maniacal Nashville jam-type song with the "The Wichita Train Whistle Sings" (how's that for a Michael Nesmith reference?). You might even feel a little melancholy after hearing the emotional, last two tracks. If you don't get a little lump in your throat listening to the tales of "Candy Cane", you're probably inhuman.

These songs have stories... some that you'll relate to, some that you won't. It's important to note that they are all delivered with sincerity and clever humor that is becoming more and more scarce these days. A nostalgic longing for New England days gone by is every bit as poignant as the aching Ray Davies felt on "The Kinks are the Village Green Preservation Society". With top notch songwriting, musicianship, harmony and production (all the music was recorded by Henning at his home studio), "The New You" is possibly the best release of 2004.